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Inspiration Example
Spaces From Many Places That Causes Us to Discover
Brian Smith
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Spaces From Many Places That Causes Us to Discover

An oil painting that takes you to spaces from many places. This abstract painting guides you down memory lane as you explore places.

An oil painting that takes you to spaces from many places. This abstract painting guides you down memory lane as you explore places.

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MSRP (20 Left)
Pre-Retail
$800.00
$400.00

Bar Table Abstract

This abstract piece makes a perfect addition to any kitchen or bar. It accents any modern decor and provides a perfect talking piece.

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MSRP (15 Left)
Pre-Retail
$500.00
$250.00

Lime Green Square

This practical piece is accented by a lime green door that draws the casual observer to the creative aspect of the piece.

Available
MSRP (4 Left)
Pre-Retail
$500.00
$250.00

Passages Beyond

Works of art or architecture may be considered a single item, or they may be made up of many physical parts or arranged in separate physical groupings. It is necessary to define the particular work of art, architecture, or group of objects in question, whether it be a single painted canvas or an altarpiece made up of many panels, a monolithic sculpture or an installation, a single structure or a building composed of various parts that were constructed at significantly different times, a single drawing on one piece of paper or a volume of drawings such as an album or sketchbook, or an archival group comprising drawings, prints, computer diskettes, and photographs.

passages beyond

The whole/part designation of the work may be relative and changeable. When an altarpiece is held by one owner in its entirety, it will probably be described as a single object. If it has been dismantled and dispersed, the many parts of the same original work will now be recorded as separate works. Historical whole/part relationships should be recorded as RELATED WORKS; examples include a disassembled sketchbook and its former folios, dispersed panels that once were part of the same altarpiece, or architectural spolia that were once part of another structure.

The whole/part designation of the work may be relative and changeable. When an altarpiece is held by one owner in its entirety, it will probably be described as a single object. If it has been dismantled and dispersed, the many parts of the same original work will now be recorded as separate works. Historical whole/part relationships should be recorded as RELATED WORKS; examples include a disassembled sketchbook and its former folios, dispersed panels that once were part of the same altarpiece, or architectural spolia that were once part of another structure.

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